REVIEWS

Takamine TSP138C

Published 4 years ago on February 9, 2020

By Guitar Interactive Magazine

Takamine TSP138C

Guitar Interactive star rating: ⭐⭐⭐⭐

MSRP (UK) £1199 (US) $1399

PROS

Very comfortable to play.

Solid top.

Sounds great plugged in with minimal tweaking.

CONS

Neck dive can be a little irritating.

SPECS

Thinline Body

Solid Spruce Top

Sapele Back and Sides

Mahogany Neck

Nick Jennison reviews the TSP138C from Takamine's Thinline series. Boasting a full, dynamic acoustic response that even electric guitarists will should quite comfortable behind.  The TSP138C is built from a tried-and-true cocktail of spruce, sapele, and mahogany to deliver a traditionally balanced and punchy sound.

When it comes to playing acoustic guitar on stage, compromise is often the name of the game. The qualities that make your favourite dreadnought so great in the studio - the thunderous lows and massive projection that come from the deep body - can be a pain in the neck on a loud stage. The large body is uncomfortable standing up, prone to feedback, and those glorious lows are either filtered out by the FOH engineer or swallowed up by the bass guitar and kick drum.

Takamine’s new Thinline acoustic guitars are specifically designed to address all of these issues, without sacrificing the look or feel of their more traditional acoustic guitars. Seen from the front, the TSP138C looks exactly like any other NEX-shaped Takamine. It’s only when you take a look from the side that you’ll see how slim this guitar is. At 60mm deep, it’s only 15mm deeper than a telecaster. This has a big impact on the way the guitar feels and sounds, but apart from the body depth the TSP138C is just like any other Takamine. There’s no electric guitar neck, no magnetic pickups, no plastic body - it’s a solid spruce top, laminate sapele back and sides and a familiar-feeling mahogany/rosewood neck.

Unplugged, the TSP138C does lack a little of the low-end weight that you’d expect from a traditional dreadnought/jumbo body shape. It’s definitely not an unpleasant experience (compared to many of the plastic-backed, small-bodied “live stage acoustics” I’ve played, it’s positively symphonic), but this guitar is definitely designed to be played plugged in. The slimmer body shape is very comfortable and makes the guitar a lot less prone to feedback than a larger box.

If you’ve played many Takamine guitars before, the neck profile on this guitar will feel very familiar. Takamine describes it as “slender”, but it’s actually fairly meaty - great for gripping during aggressive strumming passages, but perhaps a bit cumbersome for more intricate work. I’d prefer a smaller neck, but not for this reason. I’d prefer a thinner neck for balance reasons. The thick neck profile, combined with the lighter body, results in some serious neck dive. It’s nothing a grippy strap won’t fix, but if you’re fussy about the way your guitar sits (like I am) you might find this a little irritating.

The CT-3N electronics are the kind of side-mounted unit that I’m often fairly critical of - mainly because I don’t think cutting a large hole in the side of an acoustic guitar is a great idea! In the case of the TSP138C, I’m happy to make an exception. It’s a good sounding and user-friendly system, with that familiar Takamine “produced” tone that’s ideal for sitting nicely a live mix. With everything at noon, there’s a little too much honk for my liking, but the midrange control is perfectly voiced to dip out unpleasant frequencies in this range without sounding “fake” or “plastic-y”.

The Takamine TSP138C is an acoustic guitar for a very specific purpose: playing on stage with a loud band. If you’re the singer in a band who needs a comfortable, attractive acoustic that’s going to sit well in a live mix, or you’re an electric player who wants a familiar playing experience for your acoustic numbers, the TSP138C is a perfect choice, and a huge step up from many of the “electric-style acoustics” out there.

For more information, please visit:

takamine.com

 


YOU MAY LIKE

ADVERTISEMENT

LATEST

Guitar Interactive Visits The Ground-Breaking Gibson Garage London... And so Should You | Feature

Joe Bonamassa Rocks The Royal Albert Hall, London — April 4, 2024 | Live Review

Martin CPCE Inception Maple | Review

FGN Guitars JOS2TDM | Review

ToneWoodAmp | Attachable Acoustic Guitar Multi-FX | Review

Fishman Loudbox Micro | Review

Vintage Revo Series Surfmaster Thinline Twin | Review

Shergold Telstar Standard ST14 | Review

Epiphone 150th Anniversary Zephyr DeLuxe Regent | Review

Ibanez RG A622XH Prestige | Review

Fender Tonemaster FR -10 | Review

Tech 21 SansAmp Character Plus English Muffy | Review

Ernie Ball Music Man BFR Nitro Cutlass Classic '58 | Review

Tech 21 YYZ Geddy Lee Shape Shifter| REVIEW

EVENTIDE TRICERACHORUS | REVIEW

LANEY/BLACK COUNTRY CUSTOMS THE DIFFERENCE ENGINE DELAY | REVIEW

IBANEZ RGT1221PB | REVIEW

BOSS POCKET GT | REVIEW

ROLAND MIXER PRO-X | REVIEW

GAMECHANGER LITE PEDAL | REVIEW

VICTORY V1 THE SHERIFF OVERDRIVE | REVIEW

FOXGEAR RAINBOW REVERB | REVIEW

BLUGUITAR AMPX | REVIEW

MARTIN X SERIES GPC- X2E MACASSAR | REVIEW

NEURAL DSP QUAD CORTEX | REVIEW

Top magnifiercross linkedin facebook pinterest youtube rss twitter instagram facebook-blank rss-blank linkedin-blank pinterest youtube twitter instagram