REVIEWS

Martin 000-15m Acoustic Guitar

Published 5 years ago on November 3, 2016

By Guitar Interactive Magazine

CF Martin has been absent from GI's Quiet Room for far too long so we sent Tom Quayle off in a long search through the company's now enormous product range. 

All mahogany acoustics are all the rage at the moment, particularly those with a back to basics approach to visual design, and can be seen adorning stages all over the place where singer-songwriters and guitarists accompanying singers can be found. Martin has been in the all mahogany game since the 1920s however, when these guitars became very popular with the Blues players, thanks to their lower price point and unique sound. The 000-15m is Martin’s latest take on this design and it sticks firmly to this aesthetically understated approach, with just the visual bare essentials but a tonal palette that is anything but basic.

The 000-15m is from the classic ‘000 14-fret body size’ that Martin has been producing for a long time now. This gives a small body size that is perfect for those with a smaller frame and is one of the most attractive body shapes in the acoustic world for a great many people. You get solid mahogany back and sides, top and neck matched to an East Indian rosewood fretboard and headstock overlay.

The guitar is simplicity personified with no binding, purfling or intricate inlays. You just get a small rosette around the sound hole, the Martin script headstock logo and a tortoiseshell effect pickguard adorning the satin finished mahogany and it looks absolutely fantastic! The mahogany is beautiful, with dark black lines in the grain and a light chocolate colour that looks good enough to take a bite out of. The rosewood bridge, nickel open-gear tuners and bone saddles and nut complete the design of a guitar that is vintage Blues in every respect but very fashionable for the modern player too, where guitar players are seeking out a more discreet, plain look.

The 000-15m is a full fat, US-made Martin and thus features superb build quality with flawless Sitka spruce bracing and a perfectly executed neck joint. All of these guitars are fret dressed using a Plek machine where the frets are finished by a computer under normal playing conditions at normal string tension and tuning. This allows the frets to be perfectly dressed for the optimal playing experience and gives a remarkably consistent experience from guitar to guitar so that you can be comfortable that your 000-15m is just as good as someone else’s. In practice this process and the excellent factory set-up means that the 000-15m is an absolute delight to play and superbly comfortable no matter what playing style you throw at it.

Where the 000-15m really starts to reveal its true strengths is in its exquisite tonal response. The first thing that hits you is just how consistent the guitar is from string to string and up and down its range. The tone is so even all over that you feel a level of confidence playing anywhere on the guitar that is often missing from lesser acoustics. The next thing you notice is the level of clarity and sparkle in the sound. Mahogany acoustics don’t normally exhibit this level of clarity and detail in their tones, but the 000-15m has a level of brightness that is a real pleasure to behold. This allows the guitar to respond equally well to fingerpicking as it does with strumming and single note plectrum work making the guitar very addictive to play. The dynamic range is also very impressive for such a small guitar with a surprisingly loud output that never gets muddy in the bottom end like some larger Dreadnought shapes can. The sound remains tight and crisp with a lovely low end that is akin to moving from a pair of overly flattering hi-fi speakers to a set of accurate, high end studio monitors.

The only downside of the 000-15m is the lack of any on-board preamp or electronics. You can always add your own third party solution as an additional purchase, of course, so it’s worth factoring that into the price of the guitar. Speaking of which, the 000-15m represents something of a bargain for a US made Martin of this build and tonal quality.

Considering that the guitar ships in a good quality hard case this is a very hard guitar to play and then put down, as I found out the hard way (I've been thinking about it ever since!). The 000-15m is one of the cheapest guitars in Martin’s 15m range and gets you a whole lot of tone, great looks and fantastic playability for that money. You owe it to yourself to check one of these out when you are looking for your next acoustic – highly recommended!

Our grateful thanks to Sound Affects Premier UK for the loan of this guitar: http://www.soundaffectspremier.com

Tech Spec

Martin 000-15M

MSRP £1,576 US $1,799

Model: 000-15M

Made in: USA

Construction: Simple Dovetail Neck Joint

Body Size: 000-14 Fret

Top Material: Mahogany

Rosette: Multi-Stripe

Bracing Pattern: X Brace

Brace Shape: Non-Scalloped

Brace Material: Sitka Spruce

Brace Size: 5/16"

Back Material: Mahogany

Side Material: Mahogany

Neck Material: Mahogany

Neck Shape: Modified Low Oval

Neck Taper: Standard Taper

Plek: Yes

Nut Material: Bone

Headstock Shape: Solid with Square Taper

Headplate Material: East Indian Rosewood

Headplate Logo Style: Script Old Style Overlay

Fingerboard Material: East Indian Rosewood

Scale Length: 25.4"

Neck Joins Body At: 14th Fret

Number of Frets Total: 20

Fingerboard Width at Nut: 1 11/16''

Fingerboard Width at 12th Fret: 2 1/8''

Fingerboard Inlay Material: Abalone

Fingerboard Inlay Style: Diamonds and Squares Short Pattern

Side Dots: Yellow

Back and Side Finish: Satin

Back and Sides Color: Dark Mahogany

Finish Top: Satin

Top Color: Dark Mahogany

Finish Neck: Satin

Neck Color: Dark Mahogany

Bridge Material: East Indian Rosewood

Bridge Style: Belly - Drop in Saddle

Bridge String Spacing: 2 1/8''

Saddle: Compensated Bone

Saddle Radius: 16"

Tuning Machines: Nickel Open Gear

Recommended Strings:

SP Lifespan 92/8 Phosphor Bronze Light (MSP7100)

Knob: Butterbean

Bridge Pin Material: Ebony

Pickguard:Faux Tortoise

Case:Ply Hardshell

Electronics: Optional

Left Handed Availability:Yes

Issue 45


YOU MAY LIKE

ADVERTISEMENT

LATEST

Wolfgang Van Halen Talks Debut Album MAMMOTH WVH and More | INTERVIEW

Max and Igor Amadeus Cavalera launch GO AHEAD AND DIE | INTERVIEW

BOSS Nextone Special 80W Combo Amp | REVIEW

Joanna Conner: Chicago Blues | INTERVIEW

OCTET: A Virtual Guitar Ensemble | INTERVIEW

Steve Lukather: Stop, Luke & Listen | INTERVIEW

Tech 21 SansAmp Bass Driver DI V2 | REVIEW

Aria Pro II JET-B'tone | REVIEW

Eventide MicroPitch Delay | REVIEW

Black Country Customs/Laney Secret Path Reverb Pedal | REVIEW

Victory V4 Copper Preamp | REVIEW

Jerry Horton: Noise Control | INTERVIEW

Vintage 25th Anniversary V6H SVB | REVIEW

Darkglass Harmonic Booster | REVIEW

Cort Core OC Spruce | REVIEW

Rathbone No. 5 – Double Top Dreadnought | REVIEW

Kustom Sienna Pro 30W 1x10 | REVIEW

Vox VH-Q1 Headphones | REVIEW

PJE Legacy Dark Roast | REVIEW

Martin X Series D-X1E & 00-X2E | REVIEW

EBS Stanley Clarke Signature Preamp Pedal | REVIEW

Taylor American Dream AD17 | REVIEW

Udo Roesner Da Capo 75 | REVIEW

Dingwall SPJ4 | REVIEW

Vintage 25th Anniversary V75SVB | REVIEW

Top magnifiercross linkedin facebook pinterest youtube rss twitter instagram facebook-blank rss-blank linkedin-blank pinterest youtube twitter instagram