Loading the player...

Rick Graham - Melodic Minor For The Rock Guitarist

Lesson Notes

** As featured in issue 13 **

Firstly, let’s take a look at the C melodic minor scale:

Scale

C

D

Eb

F

G

A

B

Formula

1

2

b3

4

5

6

7

As we can see from the above table, the scale has a flattened 3rd degree and natural 6th and 7th degrees. It can be beneficial to try to create an image in your head when you hear this scale as a whole. I find that by doing this, it enables me to instantly identify the scale whenever I hear it.

Of course, it is essential to see each interval within the scale as an individual colour too.  Don’t just stop at this scale either; apply it to everything you know.

There are many ways that you can view the melodic minor scale. Some musicians see it as a major scale with a flattened 3rd degree. Some see it as a natural minor scale with sharpened 6th and 7th degrees, others as a dorian mode with a sharpened 7th degree. I think the best advice is to try and view it in as many ways as you possibly can, as it will help to keep your options, as well as your mind, well and truly open.

Using scale fragments

A further way in which the melodic minor scale can be viewed is that it is a hybrid scale of sorts. If we start on the 7th degree of the scale (which is actually superlocrian mode, but we are not thinking in modes yet) which is B natural, the sequence of tones and semi-tones can be seen as a hybrid of the half/whole scale and the whole tone scale. The 7th, root, 2nd and 3rd degrees of the scale are the same as the first 4 notes of a B half/whole scale. The 4th 5th 6th and 7th scale degrees can be seen as the first 4 notes of an F whole-tone scale. Played as a complete scale they form the C melodic minor scale. It can be extremely useful to use this approach as a means of learning the scale, especially from an intervallic perspective. Using scale fragments also comes in very handy when we want to negotiate particular chord progressions too.

Practicing the scale as double stop intervals

When I first started to work on the melodic minor scale, one particular approach that helped me to get more of an understanding of its construction was to play the scale as intervals. Just as you can do with conventional diatonic harmony, I started with 3rd intervals adding 6th, 4th, 5th,  7th and 2nd intervals as I became more comfortable. Once you have the shapes down you can then use sequences to make the intervals sound more interesting.

Be sure to try to come up with your own sequences using these and a variety of other intervals made up from the C melodic minor scale. Have fun and see you next lesson!


Up Next

Andy James - Metal Edge Part 1: 10 Pentatonic Shred Licks

Andy James teaches 10 ground breaking fast pentatonic shred guitar licks in this metal guitar ...

Nick Jennison - Creating Drums On Acoustic Guitar

In this percussive acoustic guitar techniques lesson, Nick Jennison shows you how to emulate drums ...

Sam Bell - Extended Range Secrets Part 2: Seven String Guitar Approaches

Sam Bell continues our series of 7 string metal guitar lessons, stepping into the world ...

Nick Jennsion - Extended Range Secrets Part 1

Nick Jennison steps into the world of extended range guitars with this exclusive 7 string ...

Nick Jennison - An Introduction To Slide Guitar

Get started with slide guitar playing in this beginners guide to slide guitar with Nick ...

Giorgio Serci Creative Fingerstyle Guitar Inspirational Pieces Part 17: Englishman In New York

Learn how to play this amazing fingerstyle guitar arrangement of Englishman In New York by ...

Sam Bell Rhythm Guitar Concepts Part 11: Using Simple Syncopated Rhythm Parts In Arrangements

In this rhythm guitar lesson, Sam Bell shows you how to create space within your ...

Giorgio Serci Creative Fingerstyle Guitar Inspirational Pieces Part 18: Lullaby

Take this fingerstyle guitar lesson and learn how to play the beautiful solo classical guitar ...

Giorgio Serci Creative Fingerstyle Guitar Inspirational Pieces Part 16: Yesterday

Giorgio Serci teaches you how to play The Beatles classic Yesterday as a full fingerstyle ...

Sam Bell Rhythm Guitar Concepts Part 9: Chordal Tapping Extensions

Learn how to play the fundamentals of chordal tapping guitar techniques with this great guitar ...

Giorgio Serci Creative Fingerstyle Guitar Inspirational Pieces Part 15: The Lonely Man

Giorgio Serci teaches you how to play The Lonely Man for classical guitar; made famous ...

Danny Gill - Pentatonic Sequences That Can Be Used Anytime, Anywhere, And On Any Song Part 3

Rejuvenate your pentatonic guitar soloing with these great guitar exercises, sequences and routines in this ...

Chris Buck - Rock & Soul Part 5: Play With Repetition Part 2

Chris Buck presents you with more reasons to use repetition in your guitar solos as ...

Danny Gill - Pentatonic Sequences That Can Be Used Anytime, Anywhere, And On Any Song Part 2

Uncover some game changing pentatonic sequences and guitar licks with the help of Danny Gill ...

Giorgio Serci Creative Fingerstyle Guitar Inspirational Pieces Part 14 - Momentum (aka Matteo)

Giorgio Serci takes you through his fingerstyle guitar composition Momentum in this creative acoustic guitar ...

Sam Bell Rhythm Guitar Concepts Part 8: Using Triads To Create Melodic Movement Within A Part

Add a sense of melody and movement to your rhythm guitar parts using triads. In ...

Danny Gill - Pentatonic Sequences That Can Be Used Anytime, Anywhere, And On Any Song Part 1

Play more interesting pentatonic guitar licks and runs with the power of scale sequences. Danny ...

Giorgio Serci Creative Fingerstyle Guitar Inspirational Pieces Part 13: A Walk In The Park

The jazz influenced fingerstyle solo guitar piece A Walk In The Park is taught by ...

Sam Bell Rhythm Guitar Concepts Part 7: Spread Triads

Sam Bell gives you an insight into modern guitar chord voicings using spread triads to ...

1 2 3 18

You May Like

Andy James - Metal Edge Part 1: 10 Pentatonic Shred Licks

Andy James teaches 10 ground breaking fast pentatonic shred guitar licks in this metal guitar ...

Nick Jennison - Creating Drums On Acoustic Guitar

In this percussive acoustic guitar techniques lesson, Nick Jennison shows you how to emulate drums ...

Sam Bell - Extended Range Secrets Part 2: Seven String Guitar Approaches

Sam Bell continues our series of 7 string metal guitar lessons, stepping into the world ...

Nick Jennsion - Extended Range Secrets Part 1

Nick Jennison steps into the world of extended range guitars with this exclusive 7 string ...

Nick Jennison - An Introduction To Slide Guitar

Get started with slide guitar playing in this beginners guide to slide guitar with Nick ...

Giorgio Serci Creative Fingerstyle Guitar Inspirational Pieces Part 17: Englishman In New York

Learn how to play this amazing fingerstyle guitar arrangement of Englishman In New York by ...

Sam Bell Rhythm Guitar Concepts Part 11: Using Simple Syncopated Rhythm Parts In Arrangements

In this rhythm guitar lesson, Sam Bell shows you how to create space within your ...

Giorgio Serci Creative Fingerstyle Guitar Inspirational Pieces Part 18: Lullaby

Take this fingerstyle guitar lesson and learn how to play the beautiful solo classical guitar ...

Giorgio Serci Creative Fingerstyle Guitar Inspirational Pieces Part 16: Yesterday

Giorgio Serci teaches you how to play The Beatles classic Yesterday as a full fingerstyle ...

Sam Bell Rhythm Guitar Concepts Part 9: Chordal Tapping Extensions

Learn how to play the fundamentals of chordal tapping guitar techniques with this great guitar ...

Giorgio Serci Creative Fingerstyle Guitar Inspirational Pieces Part 15: The Lonely Man

Giorgio Serci teaches you how to play The Lonely Man for classical guitar; made famous ...

Danny Gill - Pentatonic Sequences That Can Be Used Anytime, Anywhere, And On Any Song Part 3

Rejuvenate your pentatonic guitar soloing with these great guitar exercises, sequences and routines in this ...

Chris Buck - Rock & Soul Part 5: Play With Repetition Part 2

Chris Buck presents you with more reasons to use repetition in your guitar solos as ...

Danny Gill - Pentatonic Sequences That Can Be Used Anytime, Anywhere, And On Any Song Part 2

Uncover some game changing pentatonic sequences and guitar licks with the help of Danny Gill ...

Giorgio Serci Creative Fingerstyle Guitar Inspirational Pieces Part 14 - Momentum (aka Matteo)

Giorgio Serci takes you through his fingerstyle guitar composition Momentum in this creative acoustic guitar ...

Sam Bell Rhythm Guitar Concepts Part 8: Using Triads To Create Melodic Movement Within A Part

Add a sense of melody and movement to your rhythm guitar parts using triads. In ...

Danny Gill - Pentatonic Sequences That Can Be Used Anytime, Anywhere, And On Any Song Part 1

Play more interesting pentatonic guitar licks and runs with the power of scale sequences. Danny ...

Giorgio Serci Creative Fingerstyle Guitar Inspirational Pieces Part 13: A Walk In The Park

The jazz influenced fingerstyle solo guitar piece A Walk In The Park is taught by ...

Sam Bell Rhythm Guitar Concepts Part 7: Spread Triads

Sam Bell gives you an insight into modern guitar chord voicings using spread triads to ...

1 2 3 18
Top magnifiercross linkedin facebook pinterest youtube rss twitter instagram facebook-blank rss-blank linkedin-blank pinterest youtube twitter instagram